Throughout, it's exquisitely shot and expertly paced, with Bong deftly increasing the tension with every scene until everything approaches a seemingly inevitable conclusion – and then still manages to twist and subvert audience expectations. On the other, it's darkly comedic, mocking the obliviousness of the rich classes, both to their own privileges and to the desperation of the poor. ![]() On one hand, it's a bleak exploration of economic inequality in South Korea and a condemnation of capitalistic excess, following the struggling Kim family as they each infiltrate the lives of the wealthy Parks, posing as household servants to live a live of proximate luxury before their deception spirals wildly out of control. ![]() Director Bong Joon-ho's searing thriller is the first non-English film to win the Academy Award for Best Picture, and it's abundantly clear why.
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